Ihe ọchị efu.
N'echiche ya nke ọma, ihe nzuzu (site na Latin absurdus, "esemokwu") sitere na mmalite nke megidere mgbagha, iji tụgharịa uche, n'ihe ọgụgụ isi na-atụ anya ya.
Ntughari a nwere mmetụta nke izipu oche. Oche oche ga-apụta na oghere Yulia, n'otu oge ahụ, ọ na-apụ n'anya na oghere ọzọ.
Ha bụ di na nwunye, echiche nke di na nwunye omenala: nwunye na-eme efere mgbe di ya na-ekiri telivishọn. Nwoke iwe ahụ tiri mkpu ma yie onye na-eme ihe ike. Ọ na-ata nwunye ya ụta maka ọdịda nke oche na-enweghị ihe kpatara ya.
Nwanyị ahụ dị ka ike gwụrụ ya wee were iwe di ya. Ọ na-atụkwa ya egwu, na-akwa ákwá n’ihi iwe ya.
Yulia anaghị enye aka ma na-eti mkpu ọbụna karịa nwoke ahụ.
Ọ na-enwekwa obi ụtọ ọzọ wee hazie ụlọ ahụ n'ụzọ nke ya. Ọ na-agbaji telivishọn nke o doro anya na ọ bụ ihe dị mkpa maka di ya ma jiri okooko osisi dochie ya.
Ha na-ada n'ịhụnanya. Anyị na-aghọta nke a na-acha uhie uhie na agba nke cheeks ha, naanị agba (ya na obi na-acha uhie uhie nke onye nchịkwa mbụ) na ihe nkiri ojii na nke ọcha.
Nwunye na-enwetaghachi nnwere onwe ya, gbanwee ntutu isi ya, nke bụkwa ihe nnọchianya nke ọchịchị nwoke.
Mepee nzaghachi/ arụmụka.
Anyị nwere ike ikwurịta echiche nke stereotypes kamakwa conformism, ihe ọ pụtara na otú e si egosipụta ya na fim ahụ. Nke a na-emepe ọtụtụ ajụjụ. Gịnị bụ mmetụta ọha mmadụ na-akpa àgwà anyị? Gịnị kpatara ịkwanyere ụkpụrụ ọha mmadụ ùgwù? Ka a ghara ịhụ ya? Agaghị ewepụ ya? Na-ejikọta nke ọma karị n'ime otu? Ịdị iche na ịhapụ onwe anyị pụọ n'ihe mgbochi nke obodo anyị ọ na-emerụ ndị ọzọ ahụ?
2- Kedu ka onye nzuzu, dịka usoro, na-enye aka na mmetụta ọchị
Ọrụ ahụ gụnyere igosi ọrụ ndị a họọrọ na iji tụnyere ha, na-achọpụta ihe na-ejikọta ha ọnụ na, ya mere, na-ewepụta usoro nke ihe efu. Usoro ntụnyere, mgbe etinyere ya na mmepụta sitere na mpaghara dị iche iche, kwesịrị enyemaka ntakịrị mana ọ na-emepe echiche na-adọrọ mmasị maka mpaghara akụkọ ihe mere eme nka.
Nhọrọ a bụ iji jikọta mmepụta nke na-ekpuchi mpaghara sara mbara, site na ọrụ oge ochie ruo na nke kachasị ọhụrụ, site na omenala ndị a ma ama ruo na nke a na-akpọ omenala "mụtara". A chịkọtala ha n'ụzọ iji chọpụta ọtụtụ "ụzọ ọmụmụ", nke enwere ike ịkọwa ya n'oge ọ bụla ma ọ bụ kọwaa ya na usoro dị ogologo oge. Nke ọ bụla n'ime egwu a na-esonyere ya na "ogbako ụlọ ọrụ", oge maka ịmegharị ihe okike ebe ụmụaka nwere ike iji echiche ndị a tụlere mee ihe.
Ọmụmụ nke ọrụ kwesịrị, dị ka mgbe niile, bụrụ ndị gbara ya gburugburu (onye edemede, oge, mmegharị, usoro, wdg). Ọzọkwa, mgbe a bịara n'ịchọ mmetụta nke ihe nzuzu, ọ dị mkpa ịjụ ajụjụ gbasara okike na mgbakọ na ụmụaka. Dịka ọmụmaatụ, ọ bụ ihe nzuzu, n'ezie, ịhụ anụmanụ ka ọ na-ekwu okwu, mana n'ihe gbasara ụdị "akụkọ ụmụaka", ọ bụ mgbakọ nabatara nke na-anaghị ebutekwa enweghị isi.
- 1- The paradox
Nzukọ nke echiche abụọ na-emegiderịta onwe ha ma ọ bụ na-enweghị njikọ, n'ime usoro nchịkọta ebe ọ dị n'elu ihe ọchị niile nke ihe ijuanya na-ezubere ya.
Akwụkwọ: ihe ndị sitere na Alphonse Allais, "Echiche, ederede na akụkọ akụkọ" (Le recherche midi, 2000) ma ọ bụ site na Eric Satie, "Echiche nke onye isi ike, sochiri Memoirs of an amnesiac" (Voix d'encre, 2013).
Ihe ọkpụkpụ: Salvador Dalí, "ekwentị Aphrodisiac" (1938).
Ihe osise eserese: Jacques Carelman, "Katalọgụ nke ihe a na-apụghị ịchọta" (1969).
Ọmụmụ ihe: dọtara mgbanwe nke surrealist mmega ahụ nke "ezigbo ozu" (na ụzọ abụọ, onye ọ bụla na-arụ ọrụ na ọkara nke mpempe akwụkwọ, nke mbụ gbatịa ụfọdụ ahịrị nke eserese ya gafere akara nkewa na folds mpempe akwụkwọ iji zoo ya osise, nke abụọ ga-amalite ọzọ si protruding ahịrị).
- 2- Ihe dị ịtụnanya
Ihe ndị na-enweghị isi na-eso ibe ha wuo ụwa nke na-enweghị ndị nrụtụ aka, nke na-achọ ichekwa isi ihe dị ịtụnanya n'ihe.
Akwụkwọ (akụkọ uri): Henri Michaux, "Ailleurs, Voyage en grande Garabagne" (1948).
Ihe osise: Salvador Dalí, "Ịnọgidesi ike nke Nchekwa" (1931), René Magritte, "Ala nke Ọrụ ebube" (1964).
Cinema: Victor Fleming, "Ọkachamara nke Oz" (1939) ma ọ bụ Jean Cocteau, "Mma na anụ ọhịa" (1946).
Ọmụmụ ihe: kọwapụta n'ọtụtụ eserese otu njem e chere n'echiche na-esonụ: "N'oge nri ụtụtụ, efere ọka gị na-adọrọ gị mma ma tụba gị n'ime ụwa dị egwu. Kọwaa ihe ị chọpụtara n'ebe ahụ na nloghachi gị."
- 3- Inversion, ụwa gbadoro ụkwụ
N'ebe a, a na-emepụta ihe na-enweghị isi ma na-ekwu okwu siri ike na usoro mmekọrịta mmadụ na ibe ya, na ebumnuche satirical.
Ihe osise eserese: amaghị aha, “ụwa tụgharịrị” (ihe osise narị afọ nke 18), mkpokọta Mucem, nke a na-ahụ anya na webụsaịtị History in Images.
Akwụkwọ (akwụkwọ akụkọ): Lewis Carroll, "Alice in Wonderland", isi nke VII, "Tea n'etiti nzuzu" (1865).
Ihe osise eserese: nhọrọ nke eserese nke Gary Larson, mpịakọta I ruo V (Dupuis, 1997-2002).
Ọmụmụ ihe: dee obere akụkọ na-akọwa otu ụbọchị n'ụlọ akwụkwọ "na ntụgharị".
- 4- nzuzu
Mgbe ihe nzuzu na-arụ ọrụ imebi ezi uche, na-enweghị ihe mgbagwoju anya ebumnuche.
Cinema: A. Astier, A. Kappauf, J.-Y. Robin, "Kaamelott", ihe omume ịhọrọ site na oge 1 ma ọ bụ 2 (2005).
Ihe osise a na-ahụ anya: Roman Signer, ihe ngosi vidiyo "Action kurhaus" (1992), "Kayak" (2000), "Punkt" (2006), "Old Shatterband" (2007), "Zwei schirme" (2009), nke a na-ahụ anya na ntanetị na akụkọ sitere na mmemme Arte Tracks (January 2015).
Akwụkwọ (abụ, arụmọrụ): Christophe Tarkos, “Je inflate” na “Tambour et tombola” (1998), na “Edekọrọ” (P.OL. 2014), dịkwa na ntanetị.
Ogbako: ilu bebi. Site n'otu ilu (ma ọ bụ abụ uri ma ọ bụ akụkọ ifo dị mkpụmkpụ) nke ebipụtara na nnukwu mpempe akwụkwọ. Anyị na-ebipụ ha n'iberibe kwekọrọ n'ụkpụrụ grammati, mgbe ahụ, anyị na-agwakọta iberibe ihe ndị a ma megharịa ha n'efu iji nweta nchọpụta na-enweghị isi.
- 5- Burlesque
Mechanics na-enweghị isi ebe a na-achọ esemokwu (ihe na-enweghị isi/elu, dị mfe / mgbagwoju anya) na ikwubiga okwu ókè, mgbagha.
Akwụkwọ (akwụkwọ akụkọ): Rabelais, "Gargantua" (1534).
Cinema: Laurel & Hardy, "Agha nke Century" (1927), Buster Keaton, "Fridge Mover" (1922), "The Dismountable House" (1920).
Nkà na-ahụ anya: Saverio Lucariello, usoro "Vanitas" (site na 1995).
Ọgbakọ: jiri sọftụwia edezi onyonyo iji megharịa/gbaghaa eserese ama ama.
Mmemme mmụta nke Bruno Pellier tụpụtara.
