Head

In the first images, Head sets the scene and presents his character (a sort of half-child robot, with a dinosaur tail) in a fairly classic way, in an atmosphere vaguely reminiscent of the world of the first manga. اما ما به سرعت متوجه می شویم که چیزی در عمل اشتباه است. This, centered on the robot, accumulates without explanation the spectacle of transformation processes (ingesting, evacuating, blowing, distilling, etc.), which repeat or respond to each other in echoes, accentuating the idea of ​​circularity, until the last images loop over those at the beginning. It is therefore a kind of choreography, repetitive to the point of being almost hypnotic, the symbol of which could be the traditional sign of American barbers (exported to Japan, where we encounter it a lot), as it is shown in passing in the film: the spiral cylinder. If this choreography is not immediately perceptible, it is because Head is full of small details which attract attention and testify to the authors' pleasure in creating a hybrid cartoon universe, imbued with the inventiveness of the beginnings of comics. We could almost say that Head is the cross between the abstract comic trips of George Herriman and the mangas of Osamu Tezuka – Krazy Kat meets Astro the little robot. به این ارجاعات در Head ترکیبی بین طراحی دستی (که در تیتراژ ادعا شده است) و انیمیشن دیجیتال اضافه شده است. Soft objects and sharp shapes, organic and mechanical, in color or black and white, divide, intersect and create a fanciful and playful universe. Head در واقع یک بازی گرافیکی است، اما نه یک بازی بسته: یکی از بازی هایی که امکان اختراع مجدد نقاشی را به اشتراک می گذارد.