Films pour enfants

Norman McLaren's films

Abstraction in the service of children's artistic education.

Preview of Norman McLaren's short films

Boogie-Doodle

Boogie-Doodle

Norman McLaren, 19403 min 21 s

An animated film made without a camera. "boogie" and "doodle" come together for a rhythmic experience in vivid colours.

Chorégraphie, Danse

Dots

Dots

Norman McLaren, 19402 min 24 s

Red and blue. Sound and visuals created directly on the film strip.

Chorégraphie, Abstrait

Fiddle-de-dee

Fiddle-de-dee

Norman McLaren, 19473 min 23 s

Ripples, glimmering and violins. The dance of colours.

Chorégraphie, Abstrait

Blinkity Blank

Blinkity Blank

Norman McLaren, 19555 min 17 s

Spasmodic imagery: the director plays with retinal persistence, engraving images onto blank film.

Danse, Abstrait

Le Merle

Le Merle

Norman McLaren, 19584 min 43 s

A charming cut-paper choreography of a bird, discovering animal body parts — beak, neck, legs — in a highly original way.

Musical, Abstrait

Short and Suite

Short and Suite

Norman McLaren, 19595 min

A masterpiece of abstraction by the grand master of animation. A cocktail of colours to inspire children to draw and make films.

Chorégraphie, Danse

Pas de deux

Pas de deux

Norman McLaren, 196813 min 34 s

An experimental film featuring a choreography between two stars of the Royal Winnipeg Ballet: Margaret Mercier and Vincent Warren. Dressed in white, the two artists dance in the dark.

Chorégraphie, Danse

Synchromy

Synchromy

Norman McLaren, 19715 min

A true synchronisation of image and sound.

Chorégraphie, Abstrait

The children's films that we select were not specially created for them. We offer short films that children, at school or with family, do not easily have the opportunity to discover, but which are perfectly suited to younger children. The Canadian director's films are a very good example in this regard.

Presentation of the director

McLaren (1914–1987), considered one of the great masters of animated cinema, was a very inventive filmmaker. He paid particular attention to rhythm and movement and experimented with numerous techniques such as film scraping, painting on film, live action, stop motion, pixilation and even cartooning.

In the film "Dots" for example, he drew the images, but also the sounds, with a pen, directly on the film, without a camera or recording device.

Grand master of world animated cinema

Director and animator, Oscar winner in 1953 with the film "Neighbors" (Oscar for best documentary short film), a major figure on the animation scene.

He worked at the National Film Board of Canada (NFB) between 1941 and 1983 and directed nearly 60 films at the forefront of cinema, marked by painting, music, dance and movement. The films were added to UNESCO's International Memory of the World Register in 2009.

To watch the director's short films for free, you can visit the National Film Board of Canada website.

The National Film Board of Canada

© National Film Board of Canada

Why are Norman McLaren films suitable for younger children?

Norman McLaren did not make his animated films for children but rather in an experimental context and his films are not narrative, but plastic, musical and abstract.

However, experimental film is not incompatible with children's film and the poetry of the films is conducive to wonder and artistic awakening.

The play of colors, shapes and sounds, the originality of the music, allow you to discover different worlds and make children want to experiment.

Children's app

the NFB has created a fantastic application: “McLaren’s Workshop”. In particular, you will be able to watch 51 classics and 11 documentary films for free.

Children will be able to make their own animated films using the paper elements and original backgrounds created by his great classic, the blackbird.

Download the McLaren's Workshop app

Download the L'Atelier McLaren app

Contact us!

Did your students enjoy Norman McLaren's short films? Have you studied a film in class, an abstract animation sequence, a film about dance? Do you know other experimental directors who work on rhythm, movement, the relationship between images and music? Abstract films, films about dance?
Help us discover other short films like the film “Pas de deux”, “Boogie-Doodle” or “Le Merle”!